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Cane ware hyacinth or bulb pot with three cups - c.1785

Cane ware hyacinth or bulb pot with three cups, © Wedgwood Museum
    Cane ware hyacinth or bulb pot with three cups
    © Wedgwood Museum

Hyacinth or bulb pots moulded to simulate cut bamboo. This one in particular has three cups to hold individual bulbs. Cane ware, picked out in encaustic enamels c. 1785

Hyacinth or bulb pots moulded to simulate cut bamboo. This one in particular has three cups to hold individual bulbs. Cane ware, picked out in encaustic enamels c. 1785

  • Type of object: Useful ware/bulb pot
  • Mark: WEDGWOOD
    [Impressed]
  • Year produced: c.1785
  • Body: caneware
  • Decoration: moulded, encaustic painted
  • Accession number: 1386

Other images

Glossary

  • Cane ware

    Cane ware

    Caneware is a dry-bodied stoneware, perfected from local North Staffordshire clays which does not require glazing. It ranges in colour from a rich tan-yellow through to buff. Wedgwood commenced work on this body in the early 1770s, and on 9 September 1771 he was able to write to Thomas Bentley: ‘I am very happy to know the Fawn colour'd articles are agreeable to your wishes, - I believe they will sell, for all who have seen them here, have fall'n in love with them'.

    Cane Ware was used for both Ornamental and Useful pieces, many of which were decorated in imitation of bamboo. Major pieces do not seem to have been produced until 1779,  as late as 1783 this new body was still presenting production problems and it was not until the summer of 1786 that the new body was totally established. The problem was resolved when a finer-ground body was produced, which could be enhanced by the addition of bas relief ornamentation, encaustic painting, or - from the early years of the nineteenth century onwards - by the combination print and enamel patterns which later became known as 'Capri' ware. A rather coarser cane body was also used for game pie dishes and pastry dishes. It first appeared in the 1787 edition of the Catalogue of Ornamental Wares, when it was the fifth in Wedgwood's list of ceramic bodies.

     

  • Enamel colours

    Enamel colours

    Colours derived from metallic oxides that are usually hand-applied onto the glaze. These are then fired to ‘fix’ the colours to the ware.