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Queen's ware teapot, transfer-printed in red - c.1770

Queen's ware teapot, transfer-printed in red, © Wedgwood Museum
    Queen's ware teapot, transfer-printed in red
    © Wedgwood Museum

Teapot, transfer-printed in over-glaze red enamel, with a game of blind man's bluff on one side and a couple dancing to the music of a fiddle player on the other. Queen's ware c.1770

Teapot, transfer-printed in over-glaze red enamel, with a game of blind man's bluff on one side and a couple dancing to the music of a fiddle player on the other. Queen's ware c.1770. Purchased from private collector in March 2000.

  • Type of object: Teaware/teapot
  • Year produced: c.1770
  • Body: Queen's ware, cream-coloured earthenware
  • Glaze: clear glaze
  • Material: ceramic
  • Decoration: glazed, slip decorated and slipware
  • Accession number: 9550, 9550a

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Glossary

  • Cream-coloured earthenware

    Cream-coloured earthenware

    Cream-coloured earthenware was first produced in Staffordshire some time between 1730 and 1740. The principal ingredients were white-firing clay and ground flint, the flint being used to increase the whiteness and strength of the composition. The result was a durable body, varying in tone from buff to a deep cream colour, which required the application of a clear lead glaze and a second firing to make it impervious to liquids.

    Wedgwood carried out an enormous number of trials to perfect the cream-coloured earthenware body. He commenced work whilst still in partnership with Thomas Whieldon in Fenton, although his first really successful creamware was produced at his Ivy House Works after 1759. It is probable that creamware was amongst the first of Wedgwood's productions as an independent manufacturer.

    The approbation of Queen Charlotte in 1765 permitting Wedgwood to rename his creamware ‘Queen's ware', and style himself ‘Potter to Her Majesty' brought his earthenware to the notice of the population. On the 7th March 1774 Josiah wrote to Thomas Bentley that "The cream colour is of a superior class, & I trust has not yet run its race by many degrees..." The popularity of Wedgwood's Queen's ware throughout the Twentieth Century and into the Twenty-First Century suggests Josiah was correct.