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Veronese Queen's ware vase by Millicent Taplin - c.1930

Veronese Queen's ware vase by Millicent Taplin, © Wedgwood Museum
    Veronese Queen's ware vase by Millicent Taplin
    © Wedgwood Museum

Vase from the Veronese range. Groundlaid in yellow, hand-painted in green enamel and lustre. Queen's ware. Millie Taplin c.1930

Vase from the Veronese range. Groundlaid in yellow, hand-painted in green enamel and lustre. Queen's ware. Millie Taplin c.1930

  • Type of object: Ornamental ware/vase
  • Mark: WEDGWOOD
    MADE IN ENGLAND
    [Impressed]
  • Year produced: c.1930
  • Decoration: hand-enamelled
  • Accession number: 9041

Related people

  • Millicent Taplin

    Millicent Taplin (1902 - 1980)

    Millicent Jane Taplin commenced at the old Etruria factory in 1917, having previously attended evening classes at the Stoke School of Art. She then commenced to work at Etruria under the surveillance of Alfred and Louise Powell, who had established a School of free-hand paintresses at the Etruria factory works. Eventually, Millicent Taplin was to head the paintresses in the hand-crafts studio both at Etruria and Barlaston. She married in 1932 and in 1935 started to teach design and painting at the art school where she had originally been a student. During the late 1930s she became one of the more prolific designers for Wedgwood creating both printed and painted patterns for use on bone china as well as Queen’s ware and other ceramic bodies.One of her first designs was 'Kingcup', but one of the most successful was 'Strawberry Hill' which was designed jointly with Victor Skellern and honoured by a Design of the Year Award by the Council of Industrial Design in 1957. Around 1956 Miss Taplin took over the running of the newly combined china and earthenware hand-painting departments, remaining there until her retirement in 1962. She died in 1980.

Glossary

  • Queen’s ware

    Queen’s ware

    In 1765 Wedgwood provided a tea and coffee service to Her Majesty Queen Charlotte (wife of George III) in the new earthenware body he had recently perfected. She was so pleased with the set that she not only allowed Josiah to style himself ‘Potter to Her Majesty’, she also allowed him to call his new earthenware ‘Queen’s ware’ - a name by which Wedgwood’s cream coloured earthenware is still known today.